We’ve all seen on the news at some point, people being interviewed about a particular situation or incident, where they explain their issues and discuss how they and people like them are searching for the chance to have their voice heard. This can very often mean that there are concepts or groups connected to a much larger subject that have been overlooked or even ignored, and those associated with those concepts or groups are fighting for their input not to be missed.
All important stuff, but a conversation for another day.
Today, the idea I want to poke with a stick is more literal in terms of dealing with the voice and is something which I fold into my characters when I write.
What makes a good voice?
So, first things first. Who’s spoken to me in the real world?
If you have, well done, good to have you along.
If you haven’t, what do you think I sound like?
Do I read like I have a deep voice? A squeaky voice? Quiet or loud? Soft or hard? What about my accent?
A few years ago, while trying to resolve a payroll system issue with someone from Head Office, when a conversation that had been going back and forward via instant messenger was stumbling just too much, I asked the other person to just give me a call and we could talk our way through it. When I answered, after a slight pause, her response was priceless.
“I didn’t expect you to sound like that.”
I asked why but it was just that I sounded different to what she’d been prepared for.
We create whole personas in our heads about what characters on the page are that seeing and hearing them differently can be jarring. Your favourite characters are, despite being shared with the whole world, very personal to us so if they don’t match up for whatever reason, it can be enough to drag us out of the story.
Writing characters for any story means that there’s going to be the need to have people interact so how they sound is vital. Imagine Darth Vader and the power that just his voice is able to convey. Dave Prowse was an amazing Darth Vader and was able to create nuance and emotion even under all of that armour but add James Earl Jones’ voice and you end up so very much further.
Now imagine Darth Vader sounded like Brick Top from Snatch.
A very different character indeed.
Voices are a vitally important aspect of how we can draw opinions of people but voices aren’t universally seen in the same way though.
Some hear a deep basso voice and find it compelling and powerful, but others find it sinister. A higher pitch voice could be less intimidating for many but it could also be perceived as weak. Add in different accents and things get even more confusing.
In the UK, a high level member of Parliament has received abuse on line due to her accent, with trolls claiming that she sounds ‘thick’ because of it so accents are things that are noticed but in that regard, just remember that Arnie wasn’t the one to do the German dub of The Terminator despite being able to speak the language. It was deemed that his accent was too rural and not in keeping with a killer robot from the future.
The right voice for a character can be a tough thing to find as an author because we can’t actually hear what these people are saying but when I write, I have these people speaking to me as I go. I try to make sure that if they do have things to say, I have the best chance of getting it on the page correctly so everyone can hear their voice.
Stay safe all.